Categories
African-American America American American Poetry Black History General Harlem Renaissance Jean Toomer Poetry United States

“Beehive”


by Jean Toomer

Jean Toomer circa 1920 – 1930

Within this black hive to-night
There swarm a million bees;
Bees passing in and out the moon,
Bees escaping out the moon,
Bees returning through the moon,
Silver bees intently buzzing,
Silver honey dripping from the swarm of bees
Earth is a waxen cell of the world comb,
And I, a drone,
Lying on my back,
Lipping honey,
Getting drunk with that silver honey,
Wish that I might fly out past the moon
And curl forever in some far-off farmyard flower.

Categories
20th century American American Poetry Black History English General Harlem Renaissance Langston Hughes Literature modern poetry Poetry Uncategorized United States

“My People” by Langston Hughes


Langston Hughes in 1936 by Carl Van Vechten

My People

The night is beautiful,

So the faces of my people.

The stars are beautiful,
So the eyes of my people.

Beautiful, also, is the sun.
Beautiful, also, are the souls of my people.

Categories
20th century African-American America American American Poetry Black History General Langston Hughes modern poetry Poetry Uncategorized United States

“When Sue Wears Red”


by Langston Hughes



Portrait of Langston Hughes. Photo by Gordon Parks / Library of Congress.

When Susanna Jones wears red
Her face is like an ancient cameo
Turned brown by the ages.

Come with a blast of trumpets,
Jesus!

When Susanna Jones wears red
A queen from some time-dead Egyptian night
Walks once again.

Blow trumpets, Jesus!

And the beauty of Susanna Jones in red
Burns in my heart a love-fire sharp like pain.

Sweet silver trumpets,
Jesus!

Categories
20th century African-American America American American Poetry General Harlem Renaissance Langston Hughes modern poetry Poetry Uncategorized United States

“Theme for English B”


by Langston Hughes

Langston Hughes portrait by Carl van Vechten in 1936 (SOURCE: U.S. Library of Congress)
Listen to “Theme for English B” by Langston Hughes

The instructor said,

Go home and write
a page tonight.
And let that page come out of you—
Then, it will be true.

I wonder if it’s that simple?
I am twenty-two, colored, born in Winston-Salem.
I went to school there, then Durham, then here
to this college on the hill above Harlem.
I am the only colored student in my class.
The steps from the hill lead down into Harlem,
through a park, then I cross St. Nicholas,
Eighth Avenue, Seventh, and I come to the Y,
the Harlem Branch Y, where I take the elevator
up to my room, sit down, and write this page:

It’s not easy to know what is true for you or me
at twenty-two, my age. But I guess I’m what
I feel and see and hear, Harlem, I hear you:
hear you, hear me—we two—you, me, talk on this page.
(I hear New York, too.) Me—who?
Well, I like to eat, sleep, drink, and be in love.
I like to work, read, learn, and understand life.
I like a pipe for a Christmas present,
or records—Bessie, bop, or Bach.
I guess being colored doesn’t make me not like
the same things other folks like who are other races.
So will my page be colored that I write?

Being me, it will not be white.
But it will be
a part of you, instructor.
You are white—
yet a part of me, as I am a part of you.
That’s American.
Sometimes perhaps you don’t want to be a part of me.
Nor do I often want to be a part of you.
But we are, that’s true!
As I learn from you,
I guess you learn from me—
although you’re older—and white—
and somewhat more free.

This is my page for English B.

Categories
20th century African-American American American Poetry Black History Harlem Renaissance Langston Hughes Uncategorized United States

“Mother to Son” by Langston Hughes


"Mother to Son"
by Langston Hughes

Well, son, I’ll tell you:
Life for me ain’t been no crystal stair.
It’s had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor—
Bare.

But all the time
I’se been a-climbin’ on,
And reachin’ landin’s,
And turnin’ corners,
And sometimes goin’ in the dark
Where there ain’t been no light.

So boy, don’t you turn back.
Don’t you set down on the steps
’Cause you finds it’s kinder hard.
Don’t you fall now—
For I’se still goin’, honey,
I’se still climbin’,
And life for me ain’t been no crystal stair.

Categories
19th century African-American Georgia Douglas Johnson Uncategorized United States women poets

“Smothered Fires” by Georgia Douglas Johnson (1880 – 1966)


"Smothered Fires"
A woman with a burning flame
   Deep covered through the years
With ashes.  Ah! she hid it deep,
   And smothered it with tears.
Sometimes a baleful light would rise
   From out the dusky bed,
And then the woman hushed it quick
   To slumber on, as dead.
At last the weary war was done
   The tapers were alight,
And with a sigh of victory
   She breathed a soft—good-night!
Source: The Heart of a Woman and Other Poems (The Cornhill Company, 1918)
Categories
19th century African-American American Poetry Georgia Douglas Johnson Harlem Renaissance Uncategorized United States women poets

“The Measure” by Georgia Douglas Johnson (1880 – 1966)


“The Measure”

Fierce is the conflict—the battle of eyes,
Sure and unerring, the wordless replies,
Challenges flash from their ambushing caves—
Men, by their glances, are masters or slaves.
Source: The Heart of a Woman and Other Poems (The Cornhill Company, 1918)
Categories
19th century African-American American Poetry Georgia Douglas Johnson Uncategorized women poets

“Common Dust” by Georgia Douglas Johnson (1880 – 1966)


Common Dust

And who shall separate the dust
What later we shall be:
Whose keen discerning eye will scan
And solve the mystery?
The high, the low, the rich, the poor,
The black, the white, the red,
And all the chromatique between,
Of whom shall it be said:
Here lies the dust of Africa;
Here are the sons of Rome;
Here lies the one unlabelled,
The world at large his home!
Can one then separate the dust?
Will mankind lie apart,
When life has settled back again
The same as from the start?
Categories
19th century African-American American Poetry Georgia Douglas Johnson Harlem Renaissance Uncategorized women poets

“Black Woman” by Georgia Douglas Johnson (1880 – 1966)


“Black Woman”

Georgia Douglas Johnson1880 – 1966

Don’t knock at the door, little child,
     I cannot let you in,
You know not what a world this is
     Of cruelty and sin.
Wait in the still eternity
     Until I come to you,
The world is cruel, cruel, child,
     I cannot let you in!

Don’t knock at my heart, little one,
     I cannot bear the pain
Of turning deaf-ear to your call
     Time and time again!
You do not know the monster men
     Inhabiting the earth,
Be still, be still, my precious child,
     I must not give you birth!
Categories
19th century African-American Georgia Douglas Johnson Harlem Renaissance Uncategorized women poets

“Foredoom” by Georgia Douglas Johnson (1880 – 1966)


“Foredoom”

Her life was dwarfed, and wed to blight,
Her very days were shades of night,
Her every dream was born entombed,
Her soul, a bud,—that never bloomed.
Source: The Heart of a Woman and Other Poems (The Cornhill Company, 1918)