“Lines” by Francis Ellen Watkins Harper (1825 – 1911)


“Lines”

At the Portals of the Future,
    Full of madness, guilt and gloom,
Stood the hateful form of Slavery,
    Crying, Give, Oh! give me room–
Room to smite the earth with cursing,
    Room to scatter, rend and slay,
From the trembling mother’s bosom
    Room to tear her child away;
Room to trample on the manhood
    Of the country far and wide;
Room to spread o’er every Eden
    Slavery’s scorching lava-tide.
Pale and trembling stood the Future,
    Quailing ‘neath his frown of hate,
As he grasped with bloody clutches
    The great keys of Doom and Fate.
In his hand he held a banner
    All festooned with blood and tears:
‘Twas a fearful ensign, woven
    With the grief and wrong of years.
On his brow he wore a helmet
    Decked with strange and cruel art;
Every jewel was a life-drop
    Wrung from some poor broken heart.
Though her cheek was pale and anxious,
    Yet, with look and brow sublime,
By the pale and trembling Future
    Stood the Crisis of our time.
And from many a throbbing bosom
    Came the words in fear and gloom,
Tell us, Oh! thou coming Crisis,
    What shall be our country’s doom?
Shall the wings of dark destruction
    Brood and hover o’er our land,
Till we trace the steps of ruin
    By their blight, from strand to strand?

“Let the Light Enter” by Francis Ellen Watkins Harper (1825 – 1911)


“Let the Light Enter”

    The Dying Words of Goethe
“Light! more light! the shadows deepen,
        And my life is ebbing low,
Throw the windows widely open:
        Light! more light! before I go.
“Softly let the balmy sunshine
        Play around my dying bed,
E’er the dimly lighted valley
        I with lonely feet must tread.
“Light! more light! for Death is weaving
        Shadows ‘round my waning sight,
And I fain would gaze upon him
        Through a stream of earthly light.”
Not for greater gifts of genius;
        Not for thoughts more grandly bright,
All the dying poet whispers
        Is a prayer for light, more light.
Heeds he not the gathered laurels,
        Fading slowly from his sight;
All the poet’s aspirations
        Centre in that prayer for light.
Gracious Saviour, when life’s day-dreams
        Melt and vanish from the sight,
May our dim and longing vision
        Then be blessed with light, more light.

“Fletcher McGee” by Edgar Lee Masters (1868 – 1950)


“Fletcher McGee”

She took my strength by minutes,
She took my life by hours,
She drained me like a fevered moon
That saps the spinning world.
The days went by like shadows,
The minutes wheeled like stars.
She took the pity from my heart,
And made it into smiles.
She was a hunk of sculptor’s clay,
My secret thoughts were fingers:
They flew behind her pensive brow
And lined it deep with pain.
They set the lips, and sagged the cheeks,
And drooped the eyes with sorrow.
My soul had entered in the clay,
Fighting like seven devils.
It was not mine, it was not hers;
She held it, but its struggles
Modeled a face she hated,
And a face I feared to see.
I beat the windows, shook the bolts.
I hid me in a corner--
And then she died and haunted me,
And hunted me for life.

“To a Young Lady, With Some Lampreys” by John Gay (1685 – 1732)


“To a Young Lady, With Some Lampreys”

With lovers, ’twas of old the fashion
By presents to convey their passion;
No matter what the gift they sent,
The Lady saw that love was meant. 
Fair Atalanta, as a favour, 
Took the boar’s head her Hero gave her; 
Nor could the bristly thing affront her, 
’Twas a fit present from a hunter. 
When Squires send woodcocks to the dame, 
It serves to show their absent flame: 
Some by a snip of woven hair, 
In posied lockets bribe the fair; 
How many mercenary matches 
Have sprung from Di’mond-rings and watches! 
But hold – a ring, a watch, a locket,
Would drain at once a Poet’s pocket; 
He should send songs that cost him nought, 
Nor ev’n he prodigal of thought. 
Why then send Lampreys? fye, for shame! 
’Twill set a virgin’s blood on flame. 
This to fifteen a proper gift! 
It might lend sixty five a lift. 
I know your maiden Aunt will scold,
And think my present somewhat bold. 
I see her lift her hands and eyes. 
‘What eat it, Niece? eat Spanish flies! 
‘Lamprey’s a most immodest diet: 
‘You’ll neither wake nor sleep in quiet. 
‘Should I to night eat Sago cream, 
‘’Twould make me blush to tell my dream;
‘If I eat Lobster, ’tis so warming, 
‘That ev’ry man I see looks charming; 
‘Wherefore had not the filthy fellow 
‘Laid Rochester upon your pillow? 
‘I vow and swear, I think the present 
‘Had been as modest and as decent. 
‘Who has her virtue in her power? 
‘Each day has its unguarded hour;
‘Always in danger of undoing, 
‘A prawn, a shrimp may prove our ruin! 
‘The shepherdess, who lives on salad, 
‘To cool her youth, controuls her palate; 
‘Should Dian’s maids turn liqu’rish livers, 
‘And of huge lampreys rob the rivers, 
‘Then all beside each glade and Visto, 
‘You’d see Nymphs lying like Calisto.
‘The man who meant to heat your blood, 
‘Needs not himself such vicious food –’ 
In this, I own, your Aunt is clear, 
I sent you what I well might spare: 
For when I see you, (without joking) 
Your eyes, lips, breasts, are so provoking, 
They set my heart more cock-a-hoop, 
Than could whole seas of craw-fish soupe.

 

“Smothered Fires” by Georgia Douglas Johnson (1880 – 1966)


"Smothered Fires"
A woman with a burning flame
   Deep covered through the years
With ashes.  Ah! she hid it deep,
   And smothered it with tears.
Sometimes a baleful light would rise
   From out the dusky bed,
And then the woman hushed it quick
   To slumber on, as dead.
At last the weary war was done
   The tapers were alight,
And with a sigh of victory
   She breathed a soft—good-night!
Source: The Heart of a Woman and Other Poems (The Cornhill Company, 1918)

“The Measure” by Georgia Douglas Johnson (1880 – 1966)


“The Measure”

Fierce is the conflict—the battle of eyes,
Sure and unerring, the wordless replies,
Challenges flash from their ambushing caves—
Men, by their glances, are masters or slaves.
Source: The Heart of a Woman and Other Poems (The Cornhill Company, 1918)

“Common Dust” by Georgia Douglas Johnson (1880 – 1966)


Common Dust

And who shall separate the dust
What later we shall be:
Whose keen discerning eye will scan
And solve the mystery?
The high, the low, the rich, the poor,
The black, the white, the red,
And all the chromatique between,
Of whom shall it be said:
Here lies the dust of Africa;
Here are the sons of Rome;
Here lies the one unlabelled,
The world at large his home!
Can one then separate the dust?
Will mankind lie apart,
When life has settled back again
The same as from the start?